Tame Impala X Thundercat X Bee Gees Type Beat "there's Something In The | Air"

Ensure the kick drum and the Thundercat-style bass are perfectly sidechained. The bass needs room to move without turning the mix into mud.

Use a Juno-106 or Prophet-5 emulation. Look for "Dreamy Pad" or "Brass" presets. Apply a slow LFO to the pitch (vibrato) to give it a "warped vinyl" feel.

This is where the technicality comes in. The bass shouldn't just provide the root note; it should be a melodic lead. Ensure the kick drum and the Thundercat-style bass

This provides the "air" in your title. It needs to feel ethereal, nostalgic, and wide.

Use a 6-string bass patch or a hollow-body electric bass. Apply a mutron-style envelope filter (auto-wah) to get that "squelchy" funk sound. Look for "Dreamy Pad" or "Brass" presets

Use a white noise sweep or a very high-frequency synthesizer shimmer tucked quietly in the background to simulate the "something in the air" sensation. 4. Arrangement & Mixing Tips

Start with a filtered drum loop and a lone, dry Thundercat bass riff. Slowly fade in the Bee Gees vocal stacks and a Tame Impala synth wash until the full beat "pops" into high-definition stereo. The bass shouldn't just provide the root note;

Kevin Parker’s drum sound is defined by heavy compression and "dead" room tones.