D.P. Walker's , first published in 1958, is a foundational text in Renaissance studies that redefined magic as a central, rather than marginal, part of 15th- and 16th-century intellectual life. Core Themes and Concepts
: Known for a more "angelic" or mental magic that sought to exploit higher cosmic forces. Spiritual and Demonic Magic: From Ficino to Cam...
: The work continues through Jacques Lefèvre d'Etaples, Jean Bodin, Francis Bacon, and Tommaso Campanella. Current Availability and Editions : The work continues through Jacques Lefèvre d'Etaples,
: The book demonstrates how magic was inextricably linked to religion, music, and medicine . Modern editions, such as those from the Penn
This classic remains essential reading for students of history and philosophy. Modern editions, such as those from the Penn State University Press , often include an introduction by expert Brian Copenhaver.
: Walker distinguishes between spiritual (natural) magic , which uses planetary influences and music for healing and well-being, and demonic magic , which involves summoning spirits—a practice often denounced by the pious Christian thinkers of the era. Major Figures Explored