[s1e17] Woman On The Verge -

Salvador Dalí
Óleo sobre lienzo , de 167 x 268 cm. Compuesto en 1955
Surrealismo
En la Nacional Galery de Washington D.C.
____________________________________ Ana Belén GARCIA NAVEROS

 
Preludio,   de "Parsifal". Richard Wagner

[s1e17] Woman On The Verge -

The episode centers on the return of , played by Michelle Trachtenberg, who continues to haunt Serena with secrets from their shared history. Serena, spiraling under the pressure of Georgina's blackmail, finally confesses the truth to Blair, Nate, and Chuck: she believes she was responsible for someone's death.

" Woman on the Verge " is the seventeenth episode of the first season of the American teen drama series Gossip Girl . Originally airing on May 12, 2008, the episode serves as the penultimate chapter of the debut season, setting the stage for a dramatic finale by diving deep into Serena van der Woodsen’s mysterious past. [S1E17] Woman on the Verge

"Woman on the Verge" remains a fan favorite for its portrayal of the "Non-Judging Breakfast Club" (Blair, Chuck, and Nate) coming together to protect Serena. According to The Dorota Diaries podcast , the episode's title is a nod to the Pedro Almodóvar film Women on the Verge of a Nervous Breakdown , reflecting the chaotic emotional state of the characters as the season reaches its climax. The episode centers on the return of ,

Directed by Tony Wharmby and written by Joshua Safran and Felicia D. Henderson, the episode was highly anticipated as it finally revealed the reason Serena fled Manhattan for boarding school—a central mystery of the first season. Originally airing on May 12, 2008, the episode

, unaware of the danger Georgina poses, mistakenly finds himself getting closer to "Sarah" (Georgina's alias), leading to a betrayal that threatens his relationship with Serena. Production and Reception

While Serena struggles, the rest of the Upper East Side is entangled in their own dramas:

Sin espacios.
sin tiempos,
blanco.
Dios, que es sólo faz,
asciende.
Lenta bruma de almas
se insinúa. Todo,
opaco y leve,
se desvanece en esa faz. Y allí quedamos,
anchos de Dios,
ojos abiertos sobre toda la ciencia
sin silencios,
sin músicas, vivos,
patentes en la redonda eternidad de la Hostia.
La nueva creación es ésta.

En la Eucaristía
(José Camón Aznar)

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