Roger Waters -1970- & Ron Geesin - Music From T... -

: A standout example of the album’s quirky, sometimes crude humor, utilizing layered vocal sounds to create a disturbing yet clever soundscape.

The album is famous (or infamous) for its use of —incorporating human body sounds like breathing, heartbeats, whispers, laughter, and even flatulence as rhythmic and melodic elements. Roger Waters -1970- & Ron Geesin - Music From T...

: The album's final track is a "lost" Pink Floyd song. Though uncredited at the time, it features all four members of Pink Floyd—David Gilmour, Nick Mason, and Richard Wright—backing Waters. : A standout example of the album’s quirky,

: Waters provides a handful of melodic, acoustic-guitar-driven songs that echo the "pastoral" style of "Grantchester Meadows". Key Tracks to Note Though uncredited at the time, it features all

: Not the Dark Side of the Moon classic, but its direct conceptual ancestor. It opens with the line "Breathe in the air," marking the earliest iteration of the motif.

Released in November 1970, is a fascinating, deeply eccentric collaboration between Pink Floyd's Roger Waters and avant-garde composer Ron Geesin . Originally created as the soundtrack to Roy Battersby’s medical documentary The Body , the album serves as a bridge between the psych-folk of early Pink Floyd and the conceptual grandiosity of their later work. A Study in "Biomusic"

: Dominating about 75% of the record, Geesin provides short, abstract instrumentals that blend cello, piano, and tape manipulation with these bodily noises.