Despite its difficulty, it is frequently cited by critics and filmmakers (such as Michael Haneke and Gaspar Noé) as a vital, though harrowing, piece of political art.
Salò is widely considered one of the most disturbing films ever made. It contains extreme graphic violence and sexual assault that many viewers find impossible to watch. It is intended for mature audiences interested in political philosophy and transgressive cinema.* [ @Rafaj_Files ] Salo_120_Days_of_Sodom_1975.mkv
Pasolini uses these extreme depictions not for exploitation, but as a . He intended the film to be a critique of: Despite its difficulty, it is frequently cited by
How absolute power treats the human body as a mere commodity or object. Despite its difficulty