Crossing(1990) - Miller's

: Various reviews on Project MUSE analyze how the film uses "repetition and the uncanny"—such as Bernie Bernbaum reliving his own execution—to produce disturbing noir effects.

: This paper explores the film as a "hypnotic work of art" standing at the crossroads of generic tribute and metacinematic discourse. Miller's Crossing(1990)

: Some scholars argue that the film explicitly refers to "The Great Gangster Trilogy" ( Little Caesar , Public Enemy , and Scarface ) only to undermine the very concept of genre. It uses standard "semantic" elements—like fedoras, tommy guns, and fixed fights—but arranges them in a "syntactic" structure that subverts typical gangster movie expectations. : Various reviews on Project MUSE analyze how

: A central discussion point is the distinction between humans and animals based on "ethics" and "character". While the characters operate in a world of greed and violence, they are haunted by the "brokenhearted" reality of their relationships and loyalties. : The film's title refers to a physical

: The film's title refers to a physical forest location that serves as a recurring stage for existential crises, fake executions, and the finality of choice. Analysis often centers on the "crossing" and "double-crossing" that contaminates every character's logic.

: This essay argues that the film is a parodic critique that escapes traditional genre boundaries to represent a resourceful individual.

: Available via Senses of Cinema , this piece examines the film's unique narrative pace and its departure from "real world" simulation.