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(2017) is a visceral, stand-out track from Levante 's third album, Nel Caos Di Stanze Stupefacenti . It serves as a powerful, feminist anthem that uses religious allegory to dismantle the dynamics of psychological and physical abuse. Lyricism and Themes

: It balances a haunting, rhythmic drive with a vocal performance that shifts from fragile vulnerability to an explosive, liberating roar during the chorus. levante_gesu_cristo_sono_io

The song’s brilliance lies in its provocative title and lyrics, which reappropriate the Passion of Christ to describe the suffering of a woman in a toxic relationship. (2017) is a visceral, stand-out track from Levante

: Some critics note that while the song is "designed for the live dimension"—where its energy is most palpable—it remains a cornerstone of the record's "mix of feelings and dogged rhythm". The song’s brilliance lies in its provocative title

: While intimate, the song was inspired by real-world violence against women, specifically the tragic story of Tiziana Cantone. It highlights the "crown of thorns" placed on women by a judgmental society and abusive partners. Sound and Production

Produced in collaboration with , the track signals a departure from the "intimate songwriting" of Levante's earlier work toward a more robust, "band-like" sound.

: Levante frames the victim as a Christ-figure—not out of vanity, but as a description of sacrifice and endurance. She sings of "multiplied patience" that fed her partner's arrogance and of "turning the other cheek" until she eventually "resurrects" from the trauma.

(2017) is a visceral, stand-out track from Levante 's third album, Nel Caos Di Stanze Stupefacenti . It serves as a powerful, feminist anthem that uses religious allegory to dismantle the dynamics of psychological and physical abuse. Lyricism and Themes

: It balances a haunting, rhythmic drive with a vocal performance that shifts from fragile vulnerability to an explosive, liberating roar during the chorus.

The song’s brilliance lies in its provocative title and lyrics, which reappropriate the Passion of Christ to describe the suffering of a woman in a toxic relationship.

: Some critics note that while the song is "designed for the live dimension"—where its energy is most palpable—it remains a cornerstone of the record's "mix of feelings and dogged rhythm".

: While intimate, the song was inspired by real-world violence against women, specifically the tragic story of Tiziana Cantone. It highlights the "crown of thorns" placed on women by a judgmental society and abusive partners. Sound and Production

Produced in collaboration with , the track signals a departure from the "intimate songwriting" of Levante's earlier work toward a more robust, "band-like" sound.

: Levante frames the victim as a Christ-figure—not out of vanity, but as a description of sacrifice and endurance. She sings of "multiplied patience" that fed her partner's arrogance and of "turning the other cheek" until she eventually "resurrects" from the trauma.