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Chapter 92 is a flashback that shows a young Yuko, full of life and surprisingly happy. This version of Yuko stands in stark contrast to the terrifying, manipulative woman seen in the present timeline.

: The chapter is noted for being "heart-wrenching," as it forces the reader to empathize with a character they have grown to despise.

: Readers see a child who wasn't always "broken," making her eventual transformation into a "villain" feel more like a tragic inevitability than a choice. Chapter 92 is a flashback that shows a

In Boy’s Abyss (), Chapter 92 , titled "Festival" ( 祭り ), marks a haunting turning point that contrasts a rare moment of childhood innocence with the crushing weight of the town's cycle of despair. This chapter provides critical insight into Yuko Kurose’s past, revealing how her own "abyss" was formed long before she became the parasitic force in Reiji's life. The Illusion of a Normal Life

: By looking into Yuko's past, the author, Ryo Minenami , highlights that Reiji's suffering is not unique; it is a hereditary cycle of entrapment within a "closed-off rural town". : Readers see a child who wasn't always

: Some readers interpret her behavior in these flashbacks as her first attempts at manipulating others to fall into the abyss with her, a trait she perfected by the time she had Reiji. Structural Role in the Series

: Yuko's father was an abusive, debt-ridden alcoholic. Her brother eventually fled to escape him, leaving her behind in an environment where one was expected to either kill or be killed. The Illusion of a Normal Life : By

The chapter suggests that Yuko's fall into the abyss was catalyzed by the environment and figures around her, particularly her father.