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: Berger originally planned for a trilogy of albums ending in "tan" ( Léviathan , Contre-Temps , Dans cent ans —though the latter breaks the pattern, he explains it was originally tied to a conceptual "rendezvous with the devil"). He uses "Satan" not as a religious figure, but as an etymological symbol for that which "divides" or acts as a mirror to humanity.
: The lyrics use surrealist imagery—like "pink snow"—to tell stories that feel both unknown and obvious. The centerpiece of the album is the 15-minute eponymous track "Dans cent ans," described as a saga where vocals and machines "converse" like a dream. Album Details Download File Flavien Berger - Dans cent ans (2...
The album was born during six months of isolation in the attic of an unfinished Belgian house. Berger describes the project as a meditation on "the vertigo of love and the collision of times". : Berger originally planned for a trilogy of
: Berger views his music as a way to "tame" time rather than just endure it. The title Dans cent ans (In 100 Years) refers to the idea that music will survive us all and "awaken other lives" long after we are gone. The centerpiece of the album is the 15-minute