![Bruno Mars - That’s What I Like [Official Music Video]](http://groove-records.wifeo.com/images/g/gro/groove-rico-rds.png)
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![Bruno Mars - That’s What I Like [Official Music Video]](https://upload.wikimedia.org/wikipedia/commons/thumb/e/e2/Google_Chrome_icon_(2011).svg/2000px-Google_Chrome_icon_(2011).svg.png "Google Chrome"){kind=icon}
: The resulting footage was then sped up by 200% to match the song's actual tempo. This created the "effortless" yet slightly surreal "gliding" effect seen in the final edit.
Originally, directors Bruno Mars and Jonathan Lia had a completely different, more complex concept planned. During a test shoot in Los Angeles, they realized the original idea wasn't working. In a moment of experimentation, they turned off all the lights except for one and let Mars dance freely against a plain grey backdrop. This "magical" moment immediately became the new direction for the video. Bruno Mars - That’s What I Like [Official Music Video]
: Mars performed his choreography to the song played at half its normal speed. : The resulting footage was then sped up
: These specific white "doodle" animations eventually became Facebook's first-ever music-based camera effect, allowing fans to use the same visual style in their own videos. Release & Impact During a test shoot in Los Angeles, they
: The video was filmed in a single take against a stationary camera, emphasizing Mars' natural charisma and footwork. Animated Storytelling
The story behind the music video for Bruno Mars' is one of spontaneous creative pivots and technical experimentation. While the video is famous for its "simple" aesthetic, its production involved unique filming methods to achieve its surreal, fluid look. The "Accidental" Concept
To give Mars' movements a unique, hyper-real kinetic quality, the team used a specific filming technique:
