Recorded at in Trondheim, the album was produced by Ida Jenshus and Pål Brekkås . Together, they pushed Aas beyond her folk-pop roots into a richer blend of country-rock and psychedelic pop, featuring open guitar tunings and soaring choruses.

In her third studio album, invites us into a space where nostalgia meets the stark reality of adulthood. Known as "the small woman with the big voice," the Norwegian singer-songwriter and poet crafts a soundscape that captures the quiet solitude of evening walks under orange-tinted streetlights. 🎞️ A Narrative of "Almost-Concepts"

As a published poet with collections on Flamme Forlag , Aas’s lyrics carry a unique weight. Phases isn't just about the past; it’s about "withering and blooming," hotel rooms, and the streams of thought that occur in the solitude of a global pandemic. It is an album that feels remarkably in control—a "shining blend" of melody and melancholy. Unnveig Aas Phases - Oslo - Tigernet.no

: A darker, spoken-word-style track that stands out for its haunting percussion and intimacy. ✍️ The Poet’s Perspective

: The tracks oscillate between dark, sparse instrumentation and catchy, beat-driven Americana.