An Approach To Jazz Harmony File
: Using a iii7 or a vi7 in place of a Imaj7 to add movement.
: Dominant chords are often "seasoned" with b9, #9, #11, or b13. These create maximum dissonance that makes the eventual resolution feel more satisfying. An Approach to Jazz Harmony
: Chords may move by steps or thirds rather than jumping around the circle of fifths. : Using a iii7 or a vi7 in place of a Imaj7 to add movement
Professional jazz harmony is rarely played exactly as written on a lead sheet. An Approach to Jazz Harmony
