1998. Art Johnson, Frederic Alarie - Contact [320] -

is highly regarded in the audiophile community for its exceptional sonic production.

: Reviewers from SoundStage! describe the music as "smooth" and "easy-on-the-ears," though they note the performance can occasionally feel almost too relaxed.

: The audio imaging is noted for its "spot-on" specificity, with the guitar placed firmly to the left and the bass on the right, creating the illusion of the musicians performing in the room with the listener. 1998. Art Johnson, Frederic Alarie - Contact [320]

Art Johnson & Frédéric Alarie ‎: Contact - Jazz Music Archives

: The recording utilized high-end equipment, including a RODE Classic tube microphone and a TASCAM ATR-60-2T analog recorder. is highly regarded in the audiophile community for

: Critics praise the "tubey warmth" and natural dynamics of the recording, which effectively captures the acoustics of the wooden-walled studio.

The full tracklist consists of 10 primary tracks (with an unlisted 11th track on some versions): You Are The Sunshine Of My Life Willow Weep For Me Summertime Turbulence (Solo) Manha De Carnival Easy Living (Solo) Angel Eyes Let's Get Away From It All : The audio imaging is noted for its

Released in 1998, is a collaborative jazz album featuring American guitarist Art Johnson and Montreal-based double bassist Frédéric Alarie. Recorded at Studio Morin-Heights in Quebec, it serves as the debut release for the Canadian audiophile label Fidelio Audio . Performance and Style